Friday, April 12, 2013

MEOW! Presents: Is it really worth wishing on that SHOOTING STAR?--My take on last night's controversial GLEE episode.

April 12th, 2013

MEOW!


Rarely have I come across such polarizing opinions for just one episode of GLEE. Some have said "Shooting Star" to be one of the most emotionally charged nights of television they've ever experienced, allowing a shocking amount of depth to shine through the unlikeliest of characters. Then some have considered it to be the most offensive thing to ever come across television screens--a forced, manipulative episode with a heavy political agenda involving gun laws and school shootings. Bottom-line: this episode can cause as much of a debate as anything surrounding the thirteenth amendment. 

As I've read other perspectives after viewing "Shooting Star," a couple of questions began to stir inside my thought-provoking mind: 1.) Was it too soon for Ryan Murphy to create an episode like this, or was it something that should have been addressed long before the Aurora and Newtown shootings unfortunately commenced? And 2.) If you stripped off any of the political motivations surrounding this episode, would it still be very good or unbelievably unnecessary? 

The keywords in that first question are 'too soon.' As someone who has gone through losing a crucial member of the family, I consider the opinion of something being finished 'too soon' a rather invalid one. There have been plenty of moments in my life that end way 'too soon,' such as experiencing an extraordinary film in the comfort of a quiet movie theater, performing in a musical over the summer with some of the best friends someone can ask for, and having the time of your life with a family that loves you no matter what strengths and weaknesses that you could possibly contain. Yes, when it's over, I yearn to go back and wonder why it ended so quickly, but the fact of the matter remains that the end is inevitable, and unfortunately for some, it could arrive quicker than they would have possibly imagined. That is what the members of "New Directions" feel two-thirds into this episode, where they have been locked inside a choir room due to the sound of a few gun shots. Parallel to their learning assignment for the week, they accomplish whatever possible to make amends with their fellow classmates, which eventually leads them to becoming one big, non-biological family. Bonding with the unlikeliest of people would never be considered 'too soon,' even in the most sudden of all situations. 


With all of that being written, I personally think this episode would have benefited from being the last episode of the whole series. On top of that, had this been a two-hour episode with limited commercial breaks, there would have been more time to develop the characters inside and out of William McKinley High School. We would have gotten to see reactions from not only people like Finn, Kurt and Rachel, but also the parents of those who were locked inside the choir room. In fact, had the writers really wanted to become courageous (although the GLEEk inside of me wishes for this NOT to happen), they would have had an incredibly crucial character become a victim in a school shooting. Which character, you may ask? In all honesty, it would have been fascinating, gut-wrenching, and HEART-BREAKING to see Will Schuester become the unfortunate victim.


OK...now bear with me for one paragraph, because I know you're in shock. In every way, Will Schuester had been the driving, optimistic force of New Directions, while also being a genuine father figure as well. If he became a victim of a school shooting, then you wouldn't imagine the emotional wallop the episode would provide. You wouldn't imagine the amount of heartbreak everyone, including those who watch GLEE religiously, would suffer from upon hearing such emotional news. Yet, through it all, there would be a light at the end of the road. The high school would need a few new show choir directors--people who not only know the joys of belonging in a group like New Directions, but also understanding that "being a part of something special makes you special." Without question, I would hire Finn, Kurt and Rachel to take over New Directions. Finn would finally come to grips with who he was destined to become in the first place, while Kurt and Rachel would both be making sacrifices by selflessly honoring Will for the work he has done over the years. It would have been an absolutely beautiful and honest tribute to one of the most influential characters in Television history, but now, there is probably no chance of an episode like that being created anytime soon. 


As is, with the exception of its gut-wrenching middle section, I found this episode to be rather rushed. The whole sub-plot involving Brittany seeing a potential meteor falling down to Earth is an interesting slice of dark humor that isn't given its due. In fact, every character takes it so seriously right away that it ultimately comes across as off-putting. Another sub-plot involves Brittany wanting to sing what she wants to sing to Lord Tubbington, as it could possibly be her last week on Earth. Not only is it an amusing concept that is also not given its due; it's already an amusing concept for another episode. Come to think of it, both concepts belong in their own episodes, and not in an episode like this. Both concepts turn what could have been one of the most powerful nights of Television into, at least during the first half, an awkwardly rushed mess.

The 'big reveal,' without giving too much away, is what people are going ape over, and not in a positive way. They say it's about as disgusting and offensive as anything you could possibly see on Television right now. I'd be lying if I wrote that there could not have been a different and possibly superior ending to the one as is (refer to the episode that will probably never become made), but on the other hand, when judged on an emotionally deeper level, it supports the irony of the song "Say What You Need To Say" before the credits start to roll. I understand that we have to pay for our souls when we eventually reach that day, but why pay more for the therapy bills when we can easily talk to the people we love at no extra charge? Oh, I see. Because in this day and age, we can't even speak to the people we normally turned to when facing our frightening fears, and that we do have to pay for the therapy bills in order to feel emotionally satisfied about ourselves. I'm not saying that therapists are bad people, for they are genuinely one-of-a-kind; I'm saying that we need to stand up and take action to those that need it the most, because if we do, chances are we will have a healthier and stronger society in the future. That is something worth more than a million dollars in my book. 

"Shooting Star" isn't a consistently sensational episode of GLEE, and it is completely understandable if those involved in the Aurora or Newtown shootings refuse to watch it like the plague. But if you are willing to open your heart and mind to such emotional and thought-provoking topics, then I recommend that you give this episode a go. Kudos to everyone involved for taking a trip around the riverbend, and I hope superior episodes like this are made sometime in the near-future. 

For now, here is the link to "Shooting Star," courtesy of Jon Gomez: http://gorillavid.in/0qbism9e0kr1 (You might want to copy and paste it).

Until next time,

MEOW!

Monday, April 8, 2013

MEOW! Presents: OZ...or Alien...takes THE CROODS on a SPRING BREAK adventure!

April 8th, 2013

MEOW!

Let's start off with...


There are a few flaws to be sure. I think the character of Theodora (Mila Kunis) is severely underdeveloped, Knuck (Tony Cox) is a pretty annoying character that wasn't needed in the story's structure, and that ending...that's definitely what she said. But good lord, it's beautiful. OZ The Great and Powerful is a WONDERFUL movie-going experience with breathtaking visuals and a dreamy Glinda (Michelle Williams), who can travel by bubble with style (It will be a Disney attraction. I bet my whiskers on it). Highly recommended for families and nostalgia nerds. Out of four OZ heads, I give OZ The Great and Powerful...


From the yellow brick road to...


I'm going to sound like Grug (Nicolas Cage) for a minute here. Despite its positive 'try-something-new' moral, it's been done to DEATH in other films like Toy Story and even How to Train Your Dragon (which is, TA-DA, a Dreamworks film). Also, it's understandable that the cave-people sound like wild animals, but it gets tiresome after the first twenty minutes. There's not a whole lot of wit in the script. That said, the film is a joy to look at, and the last third does provide some much needed emotion in the proceedings. I recommend it for families, particularly in 3-D, but it's no Rise of the Guardians, which unfortunately laid off more than two-thousand employees. I'm still bitter about that. Out of five barbarians, I give The Croods...


And last, but certainly not least....


^Awesome...

Who would have thunk that my pick for the first great film of 2013 would star Selena Gomez and Vanessa Hudgens? Sure enough, Harmony Korine's picture will not be for everyone's tastes (there's no way my loving mother would like this), but for anyone willing to take a risk on what the magic of cinema can provide, then treat yourself to one of the best films of the year. The lighting, particularly in the last few shots, will cast a spell right before your very eyes. The use of sound for its musical selections and gun cracks are spine-tingling. James Franco's Alien (Al, for short) will go down as one of the most fascinating character studies I may have ever seen in a film ("Look at my s**t!"). Most of all, it presents a timely message: sometimes we have to dive down deep into hell in order to find ourselves. Spring Breakers is an excellently crafted film with a surprising amount of depth, and to say that about a film starring Selena Gomez and Vanessa Hudgens, that's an amazing feat. Out of five beach-balls, I give Spring Breakers...


Ranking them in order:
1.) Spring Breakers
2.) OZ The Great and Powerful
3.) The Croods

Until next time,

MEOW!

Friday, April 5, 2013

Roar?: APRIL'S (Hopefully) AWESOME ANIMAL PICTURES Presents: BIG BROTHER BEAR + LITTLE BROTHER BEAR!

*These reviews are dedicated to two people, actually. The first would belong to Michael Clarke Duncan, who voiced the character of Tug in both of these films. Despite having a limited amount of voice acting, he gave an intimidating character upon first glance a ton of heart and soul. Which leads me to also dedicating this review to legendary film critic Roger Ebert. One of his philosophies was that people should give themselves an option to see from a different perspective, and I believe that both of these films represent that philosophy quite nicely. That said, R.I.P. to both of them. I wonder what their spirit animals are.*

April 5th, 2013

Roar?




Ironically bear with the rather slow start before our hero transforms into one, and Brother Bear is a beautiful, fun-filled animated film with an enormous amount of emotional AND intellectual depth. The film's use of its aspect ratio, of which I will not spoil, is a brilliant stroke of creative genius, all of the characters are either likable to watch or easy to sympathize, and at times, it is oh-so gorgeous to listen and view (The "Transformation" is one of the most hypnotizing mixtures of sight and sound I've ever seen in an animated feature). At times, a couple of the songs in context can be a little repetitive, and there is one moment where it shamelessly rips-off Finding Nemo ("FISH! FISH! FISH! FISH! FISH!" Ring a bell?), but for the most part, Brother Bear is one unadulterated bear-hug of a film. Under-appreciated gem. 



A Direct-To-Video sequel that is equally worthy to its predecessor? No, check that. A DISNEY Direct-To-Video sequel that is equally worthy to its predecessor? Well, say it ain't so! Brother Bear 2 may not be an artistically ambitious film, but it's surprisingly involving and continues the story rather than re-telling the first film again. Nita (voiced by Mandy More) is a very likable new character who has an equal amount of strengths and weaknesses, even if she has a familiar mixture of both Belle and Mulan. The thematic element of love is further explored with a terrific amount of insightful depth, and as a first in the line-up of Disney DTV's, it comes without false sentimentality. Apart from an unfunny (though purposeful) scene with the Shai-woman (voiced by Wanda Sykes), a bland stereotype of a father (respectively voiced by Jim Cummings) and a couple of obvious pacing issues, Brother Bear 2 is, in a word, surprising. It's surprisingly entertaining, surprisingly moving, and surprisingly thoughtful. It didn't have to be made, yet I'm glad it exists. It's one of the better sequels out there, and a masterpiece compared to most of the DTV's that I've seen in the past few years. Don't get me started on The Hunchback of Notre Dame II

Out of five FISH FISH FISH FISH FISH, I give both Brother Bear and Brother Bear 2:



Until next time,

CHARLOTTE'S WEB!

and Roar, of course?

Wednesday, April 3, 2013

OINK! APRIL'S (Hopefully) AWESOME ANIMAL PICTURES Presents: BABE!

April 3rd, 2013

OINK! 





If I had words to make a day for you
I'd sing you a morning golden and new
I would make this day last for all time
Give you a night deep in moonshine

--The singing mice...who also sound like chipmunks...interesting...

Five-Second Opinion: That'll do, film. That'll DEFINITELY do. 

In-Depth Insights: Unlike the singing mice, I do have words for Babe, directed by Chris Noonan: amazing, clever, exciting, humble, kind, and above all, WONDERFUL. Babe is a wonderful pig, and an entirely different one, too. Underneath that 'family-friendly' surface lies one of the most astonishing, in-depth, G-rated animal pictures that you will possibly EVER see.

It's an accomplished piece of quiet, subtle film-making. The special effects team at Rhythm & Hues were wise to work their magic on the animals, while allowing cinematographer Andrew Lesnie to work a bit of his own magic as well. The score by Nigel Westlake is wonderful, along with the end credit tune "If I Had Words," which will respectively become ingrained inside your noggin for the next couple of days. The charm of the film-making wouldn't come through, however, without the beautifully written script by George Miller + Chris Noonan, adapted from Dick King-Smith's novel "The Sheep Pig," and it is filled with thematic elements that are explored with unusual intelligence.


Such thematic elements include giving into the new (Babe (E.G. Daily--a.k.a--Tommy Pickles) yearning to become a sheep-pig; Rex the Dog (Hugo Weaving) hesitant on Babe wanting to become a sheep-pig; Miss Hoggett (Magda Szubanski) hesitant on using a fax machine; you name it), a human's fascination for duck and pork as Christmas dinners ("CHRISTMAS MEANS CARNAGE!," says an anxious Ferdinand the Duck (Danny Mann)), and understanding the eternally timeless concepts of compassion, integrity, kindness, and maturity. All four of those thematic concepts are viewed through Babe's enormous, selfless beating heart. Whatever words that are spoken from him range from genuine and kind, to heartbreaking and meaningful ("I want my mom." Goodbye, precious cat-hood). He--yes, he--is one of the most sympathetic protagonists I've come across while watching a film in quite some time. 


And I won't give away even one aspect about the epilogue of this film, except that it's a rare slice of pure, cinematic perfection. Thank You, Farmer Hoggett (James Cromwell). 


That's another adjective that should be emphasized regarding Babe: rare. A film like Babe is hard to come by these days, one that is intelligent, insightful, kind, mature, optimistic, you name it. The fact that it's also intended for the whole family is a miracle in of itself.  If you haven't found out why this film was nominated for Best Picture in 1996, do yourself a favor: find it immediately and prepare to be amazed, moved and wowed. This is a magical picture.

Out of five Aflac Ducks, I give Babe...



Until next time,

It's a double-header: BROTHER BEAR + BROTHER BEAR 2!

and OINK, of course! 

Tuesday, April 2, 2013

mew... APRIL'S (Hopefully) AWESOME ANIMAL PICTURES Presents: AN AMERICAN TAIL(E)!

April 3rd, 2013

mew....



For the most part, An American Tail is a beautiful journey with an absolutely BEAUTIFUL musical score.

How beautiful is it really?: Two words: James. Horner; that's all you really need for a film like An American Tail. With compositions like "Give Me Your Tired, Your Poor" and "Reunited" that will stir your emotions as if you have finally reached America, Horner's Score is nothing short of masterful, and one of the best scores ever written for an animated picture. The songs are decent as well, with the heartwarming exception of when Fievel (Phillip Glasser) and Tanya (Amy Green) sing "Somewhere Out There" in different locations; it instantly reminds me of the relationship between my sister and I. 



In fact, despite coming from a respectively different ethnic background, the Mousekewitz family depicted in this film could represent my very own family, despite my father never playing the violin in his life. Actually...yeah, the more I think about it, this could be my very own biographical backstory, minus the whole 'getting separated from my family during a storm and almost being eaten by cats' part. Much of that comes from how this film beautifully captures that relatable sense of raw, wide-eyed discovery, and it's not just through the power of Don Bluth's animation and direction. Fievel encounters a few friends along the way, while also understanding the harsh realities of America itself. Some of these moments can be emotionally intense for the youngest of viewers, but it helps develop Fievel's journey into becoming more of...a mouse-man, leading up to an ending so emotionally satisfying, that it practically challenges you not to choke up.

You see, Don Bluth made these films that could be incredibly cheesy from another perspective, while in my eyes, they ring as profound as some of the best of Disney animation. It's not a perfect animal picture {for instance: "REWEASE. THE SECWEEEEEEEET WEAPPPPPON." Yeah, a little too over-the-top on the accent there}, but on an genuinely raw, emotional level, An American Tail is a beautiful tale that is absolutely worth telling. "Never Say Never" to this wonderful gem of a film.

Out of five cats in America, or at least in the town of Vernon, CT, I give An American Tail...



Until next time

BABE!

and ME(O)W, of course!

Monday, April 1, 2013

WOOF! APRIL'S (Hopefully) AWESOME ANIMAL PICTURES Presents: (The Live-Action R

April 2nd, 2013

WOOF!


We begin APRIL'S (Hopefully) AWESOME ANIMAL PICTURES with, according to my loving mother, the first film that I EVER saw in theaters: the 1996 live-action remake of 101 Dalmatians. And as the first film that I EVER saw in theaters, it actually isn't that bad. Did it need to be re-made again? Not necessarily. But Stephen Herek's direction is surprisingly well-guided, the performances led by Glenn Close range from admirable to amusing, and -GASP- aside from a few glaring CGI shots, there are living and breathing dalmatians on the set (how many of the one hundred and one that Herek actually uses remains a mystery). It was also a wise move on not having the animals utter a single word; it allows the charm to come through the animals' mannerisms.  If the climax had been heavily shortened, and had they eased up on some of the rather disturbing elements involving De Vil's obsession of fur, this would have received a higher rating than it does now. As is, it's a cute, well-crafted slice of family entertainment, and if you don't crack a smile at the sight of a dalmatian puppy, then you're just so cruel..la...

Oh, and Dr. John sings a jazzed-up version of "Cruella De Vil" during the end credits. Your argument is invalid. 

Out of five puppies named Patch, I give the 1996 live-action remake of 101 Dalmatians...


Until next time,

AN AMERICAN TAIL

and WOOF, of course!


...er, Meow...